Below, participating artists Claire Strickland and Clare Dudeney describe how their experience of imagery informs their work
We are very pleased to announce that registration is now open for EXTREME IMAGINATION, the world’s first conference for people with aphantasia and hyperphantasia.
With lectures by the leading scientists and thinkers working on aphantasia and hyperphantasia, plus themed workshops and discussion groups, the conference will enable people with ‘extreme imagination’ to gain understanding, build a community, and explore the practical implications of imagery extremes.
Confirmed speakers include Adam Zeman, Joel Pearson, Emily Holmes, and Ed Catmull, plus talks by the artists and curators of the associated exhibition ‘Extreme Imagination – inside the mind’s eye’.
We look forward to welcoming you to the University of Exeter, UK, on 5 – 7 April 2019!
Extreme Imagination – inside the mind’s eye opens at Tramway, Glasgow, 10.1.19
The first ever exhibition of works of art created by artists who have no “mind’s eye” will cast new light on the creative brain when it goes on display in 2019.
Extreme Imagination: inside the mind’s eye will feature works by people who cannot visualise, alongside works by those who have particularly vivid mental imagery.
Funded by the Arts and Humanities Research Council, and curated by the artist Susan Aldworth, the exhibition is the result of research lead by Professor Adam Zeman of the University of Exeter College of Medicine and Health, and the Eye’s Mind research group: Fiona Macpherson (philosophy, Glasgow), Crawford Winlove (neuroscience, Exeter), John Onians (art history, University of East Anglia), and Matthew MacKisack (cultural history, Exeter).
In 2015, Professor Zeman coined the term “aphantasia” to describe a phenomenon in which some people are unable to conjure up pictures inside their minds. He called the opposite phenomenon “hyperphantasia”, in which people have particularly vivid mental imagery.
When these extremes of ‘mind’s eye’ experience were identified, a huge public response followed, with thousands of people recognising themselves as ‘aphantasic’ or ‘hyperphantasic’ – including a number of artists.
Extreme Imagination: inside the mind’s eye presents their artwork, inviting us to consider the impact of these phenomena on the creative process. How can someone make anything without being able to imagine what they want it to look like? Is there a distinctly hyperphantasic kind of art?
Aphantasia and its opposite teach us about human diversity: the easily-missed, potentially startling differences between individuals’ inner lives. The work of the participating artists – and designers, architects, and writers – demonstrates the diversity of means by which things come to be made, challenging long-held beliefs about what it means to be ‘creative’.
Find interviews with participating artists here.
Extreme Imagination: inside the mind’s eye will run at Tramway, Glasgow, from the 10th of January 2019 to the 3rd of March 2019, before moving to the Royal Albert Memorial Museum in Exeter, where it will run from the 30th of March to the 2nd of June. News on this to follow soon.
Extreme Imagination events at Tramway, Glasgow:
Thursday 10th of January, 5 – 7pm: Exhibition Preview
Saturday 12th of January, 11.30am – 1pm: Curator Susan Aldworth introduces the exhibition, with talks by Professor Adam Zeman and Dr Matthew MacKisack of the University of Exeter, and Professor Fiona Macpherson of the University of Glasgow
Saturday 23rd – Sunday 24th of February: Workshop on Dreams, Hallucinations and Imagination, held at the Centre for the Study of Perceptual Experience, University of Glasgow. See dreamshallucinationsimagination.wordpress.com
Image: Isabel Nolan, A lion with a thorn in his paw, 2015. Courtesy Kerlin Gallery