{"id":125,"date":"2021-03-29T14:53:13","date_gmt":"2021-03-29T13:53:13","guid":{"rendered":"http:\/\/blogs.exeter.ac.uk\/genderatwork\/?p=125"},"modified":"2021-03-29T14:53:13","modified_gmt":"2021-03-29T13:53:13","slug":"choice-feminism-in-the-age-of-instagram","status":"publish","type":"post","link":"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/","title":{"rendered":"Choice Feminism in the Age of Instagram"},"content":{"rendered":"<p><em>Grace Baker<\/em><\/p>\n<p><em>A couple of years ago third wave feminism, particularly choice feminist movements, were being questioned and discussed. It may seem outdated, then, to be rehashing old problems. However, in light of new <a href=\"https:\/\/help.instagram.com\/477434105621119\/?helpref=hc_fnav&amp;bc%5b0%5d=Instagram%20Help&amp;bc%5b1%5d=Privacy%20and%20Safety%20Center\">Instagram community guidelines<\/a> (yawn), Instagram has become a sort of microclimate of society. It highlights the ever emergent problems of choice feminism. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n<p><strong>So what <em>is<\/em> choice feminism?<\/strong><\/p>\n<p>The original fight against choice feminism began in 2006 when Linda Hirshman coined the phrase in order to denounce it. It puts a label to concepts that had taken over feminist movements in the 1980\u2019s. It pushed back against the strict idea that women should neglect the home and get to work. Instead, this new ideology purported that after years of oppression women should be able to make whatever choices they want. Deciding not to work, having a plethora of children, being promiscuous or not, shaving or not and the list goes on.<\/p>\n<p>Women should simply be empowered in their choices and all such empowerment is deemed feminist under the choice feminist banner.<\/p>\n<p>It can be seen as arising out of criticisms levelled at feminism; that it is too radical, too exclusionary, and too judgemental (Ferguson 2010). Choice feminism, instead, does not <em>really<\/em> challenge society. It ensures that everyone can be included in feminism (<em>we wouldn\u2019t want to lose any allies!<\/em>). It also guarantees that people cannot be judged since all choices are valid and, therefore, not open to moral indignation. Choice feminism is, thus, increasingly used by women in order to present their empowerment as feminist.<\/p>\n<p>For example, Emily Ratajkowski recently published an article <a href=\"https:\/\/www.thecut.com\/article\/emily-ratajkowski-owning-my-image-essay.html\">\u2018Buying Myself Back\u2019<\/a> and not too long ago <a href=\"https:\/\/www.lennyletter.com\/story\/emily-ratajkowski-baby-woman\">\u2018Baby Woman\u2019<\/a>. She claims that her empowerment is, quite simply, owning her body and presenting it however she wishes. This has been framed as feminist activism. I think this is dangerous.<\/p>\n<p><strong>Choice feminism has the ability to take feminism out of context.<\/strong><\/p>\n<p style=\"margin-bottom: 1.71429rem\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-126 alignright\" style=\"margin-top: 0.857143rem;margin-bottom: 0.857143rem;margin-left: 1.71429rem\" src=\"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1-139x300.jpg\" alt=\"\" width=\"163\" height=\"352\" srcset=\"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1-139x300.jpg 139w, https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1-473x1024.jpg 473w, https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1-768x1662.jpg 768w, https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1-710x1536.jpg 710w, https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1.jpg 828w\" sizes=\"(max-width: 163px) 100vw, 163px\" \/><\/p>\n<p>It skims over the intricacies involved, especially within intersectional feminism. Kimberl\u00e9 Crenshaw highlighted the important ways in which race, gender and socio-economi<\/p>\n<p><span style=\"font-size: 1rem\">c background intersect in the lived experience of women. This theory has since been broadened to include a wide range of different disadvantages people may face. Such intersections are highlighted when we contrast the way in which @emrata, as she is known on Instagram, is able to post empowering pictures compared to Nyome Nicholas-Williams.<\/span><span style=\"font-size: 1rem\">\u00a0<\/span><span style=\"font-size: 1rem\">\u00a0<\/span><\/p>\n<p style=\"margin-bottom: 1.71429rem\"><span style=\"font-size: 1rem\">Nyome (@curvynyome) posed topless wearing black bicycle shorts only. This picture was frequently taken down by Instagram as it was deemed to \u2018break their rules\u2019. This resulted in the circulation of the \u2018I want to see Nyome\u2019 campaign.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-128 alignleft\" style=\"margin-top: 0.857143rem;margin-right: 1.71429rem;margin-bottom: 0.857143rem;font-size: 1rem\" src=\"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace2-139x300.jpg\" alt=\"\" width=\"139\" height=\"300\" srcset=\"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace2-139x300.jpg 139w, https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace2-473x1024.jpg 473w, https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace2-768x1662.jpg 768w, https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace2-710x1536.jpg 710w, https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace2.jpg 828w\" sizes=\"(max-width: 139px) 100vw, 139px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>In comparison, Emily can pose fully naked but for a flower over her vulva, among many other risqu\u00e9 photos, and yet these pictures are not removed.<\/p>\n<p>Both i<span style=\"font-size: 1rem\">mages comply with the Instagram guidelines as neither show full nudity nor nipples. However, Instagram explained that it was a former policy on \u2018boob squeezing\u2019 that had caused Nyome\u2019s photo to be taken down. In my opinion, Nyo<\/span><span style=\"font-size: 1rem\">me\u2019s photo does not include any more \u2018boob squeezing\u2019 than Emily\u2019s. Instead, she is attempting to cover more of her bigger boobs. The rules, therefore, have been applied unevenly. I think it is worth looking at why this may be the case.<\/span><\/p>\n<p>Emily has white privilege, pretty privilege, skinny privilege (to name a few). Her posture is also more open and alluring whereas Nyome\u2019s is closed off which could be seen as intimidating. Nyo<span style=\"font-size: 1rem\">me\u2019s buzz cut hairstyle also presents as more androgynous. Therefore, it can be assumed that Emily fits better into the economy of the male gaze.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Thus, though it can be incredibly empowering to freely express your sexuality and\u00a0<img loading=\"lazy\" decoding=\"async\" class=\" wp-image-127 alignright\" style=\"font-size: 1rem\" src=\"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace3-139x300.jpg\" alt=\"\" width=\"192\" height=\"417\" srcset=\"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace3-473x1024.jpg 473w, https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace3-768x1662.jpg 768w, https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace3.jpg 828w\" sizes=\"(max-width: 192px) 100vw, 192px\" \/><span style=\"font-size: 1rem\">make money from it, not everyone is given this choice.<\/span><\/p>\n<p>It seems impossible, then, to say that Emily\u2019s choices are feminist.<\/p>\n<p>They still buy into the commodity of women, into the male gaze, and into what society deems to be beautiful. Such \u2018choice feminism\u2019 clearly hides important aspects of intersectionality. In this case being a black, plus-sized, less womanly (on societies\u2019 standards) individual means her choices are lacking.<\/p>\n<p><strong>So what is the solution?<\/strong><\/p>\n<p>We need to delete choice feminism and actually create a feminist political stance.<\/p>\n<p>This includes making judgements, creating change in society, and in some cases excluding those stuck in the status quo. This is okay.<\/p>\n<p>We may not always get it right. Judging is a political skill and we all need practice. It is the skill of defining and explaining what actions and choices <em>actually<\/em> benefit the feminist movement. It is creating arguments for the case and hoping other people jump onboard. We may fail. If we do, we need others to hold us accountable. Therefore, we need to be open to the risks of being political, feminist activists. We need to find \u2018pleasure in politics\u2019, as Ferguson advocates, even when it feels incredibly uncomfortable.<\/p>\n<p>It is time to embrace not just feelings of empowerment in our choices, but the uncomfortable feeling of being in the realm of risk.<\/p>\n<p><strong>Emily Ratajkowski\u2019s articles:<\/strong><\/p>\n<p><a href=\"https:\/\/www.lennyletter.com\/story\/emily-ratajkowski-baby-woman\">https:\/\/www.lennyletter.com\/story\/emily-ratajkowski-baby-woman<\/a><\/p>\n<p><a href=\"https:\/\/www.thecut.com\/article\/emily-ratajkowski-owning-my-image-essay.html\">https:\/\/www.thecut.com\/article\/emily-ratajkowski-owning-my-image-essay.html<\/a><\/p>\n<p><strong>Instagram Community Guidelines:<\/strong><\/p>\n<p><a href=\"https:\/\/help.instagram.com\/477434105621119\/?helpref=hc_fnav&amp;bc%5b0%5d=Instagram%20Help&amp;bc%5b1%5d=Privacy%20and%20Safety%20Center\">https:\/\/help.instagram.com\/477434105621119\/?helpref=hc_fnav&amp;bc[0]=Instagram%20Help&amp;bc[1]=Privacy%20and%20Safety%20Center<\/a><\/p>\n<p><strong>References:<\/strong><\/p>\n<p>Ferguson, M. L., (2010), \u2018Choice Feminism and the Fear of Politics\u2019, <em>Perspectives on Politics, <\/em>8(1), pp.247-253<\/p>\n<p>Hirschman, L. R., (2006), <em>Get To Work: A Manifesto for Women of the World,<\/em> New York: Viking<\/p>\n<p>Crenshaw, K., (1989), \u2018Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine\u2019, <em>University of Chicago Legal Forum, <\/em>1989(1), pp.139-168<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grace Baker A couple of years ago third wave feminism, particularly choice feminist movements, were being questioned and discussed. It may seem outdated, then, to [&hellip;]<\/p>\n","protected":false},"author":473,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21,37],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Choice Feminism in the Age of Instagram - Gender at Work<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Choice Feminism in the Age of Instagram - Gender at Work\" \/>\n<meta property=\"og:description\" content=\"Grace Baker A couple of years ago third wave feminism, particularly choice feminist movements, were being questioned and discussed. It may seem outdated, then, to [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/\" \/>\n<meta property=\"og:site_name\" content=\"Gender at Work\" \/>\n<meta property=\"article:published_time\" content=\"2021-03-29T13:53:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1-139x300.jpg\" \/>\n<meta name=\"author\" content=\"Barbara Jane Elliott\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Barbara Jane Elliott\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/\",\"url\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/\",\"name\":\"Choice Feminism in the Age of Instagram - Gender at Work\",\"isPartOf\":{\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1-139x300.jpg\",\"datePublished\":\"2021-03-29T13:53:13+00:00\",\"dateModified\":\"2021-03-29T13:53:13+00:00\",\"author\":{\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/#\/schema\/person\/56b420afca74bb22afbc82daab088491\"},\"breadcrumb\":{\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/#primaryimage\",\"url\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1.jpg\",\"contentUrl\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1.jpg\",\"width\":828,\"height\":1792},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Choice Feminism in the Age of Instagram\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/#website\",\"url\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/\",\"name\":\"Gender at Work\",\"description\":\"This blog aims to focus on gender and employment, equal pay, gender and organisations, transgender politics, theories about sex and gender, experiences of doing gender in daily life, performing and writing gender. The Blog is linked to the MA module &#039;Gender at Work&#039; and many of the posts are written by students.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/#\/schema\/person\/56b420afca74bb22afbc82daab088491\",\"name\":\"Barbara Jane Elliott\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/a15fece962cbcde1d5681e421cdad244?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/a15fece962cbcde1d5681e421cdad244?s=96&d=mm&r=g\",\"caption\":\"Barbara Jane Elliott\"},\"url\":\"https:\/\/sites.exeter.ac.uk\/genderatwork\/author\/jbe204\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Choice Feminism in the Age of Instagram - Gender at Work","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/","og_locale":"en_US","og_type":"article","og_title":"Choice Feminism in the Age of Instagram - Gender at Work","og_description":"Grace Baker A couple of years ago third wave feminism, particularly choice feminist movements, were being questioned and discussed. It may seem outdated, then, to [&hellip;]","og_url":"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/","og_site_name":"Gender at Work","article_published_time":"2021-03-29T13:53:13+00:00","og_image":[{"url":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1-139x300.jpg"}],"author":"Barbara Jane Elliott","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Barbara Jane Elliott","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/","url":"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/","name":"Choice Feminism in the Age of Instagram - Gender at Work","isPartOf":{"@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/#website"},"primaryImageOfPage":{"@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/#primaryimage"},"image":{"@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/#primaryimage"},"thumbnailUrl":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1-139x300.jpg","datePublished":"2021-03-29T13:53:13+00:00","dateModified":"2021-03-29T13:53:13+00:00","author":{"@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/#\/schema\/person\/56b420afca74bb22afbc82daab088491"},"breadcrumb":{"@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/#primaryimage","url":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1.jpg","contentUrl":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-content\/uploads\/sites\/161\/2021\/03\/Grace1.jpg","width":828,"height":1792},{"@type":"BreadcrumbList","@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/2021\/03\/29\/choice-feminism-in-the-age-of-instagram\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/sites.exeter.ac.uk\/genderatwork\/"},{"@type":"ListItem","position":2,"name":"Choice Feminism in the Age of Instagram"}]},{"@type":"WebSite","@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/#website","url":"https:\/\/sites.exeter.ac.uk\/genderatwork\/","name":"Gender at Work","description":"This blog aims to focus on gender and employment, equal pay, gender and organisations, transgender politics, theories about sex and gender, experiences of doing gender in daily life, performing and writing gender. The Blog is linked to the MA module &#039;Gender at Work&#039; and many of the posts are written by students.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/sites.exeter.ac.uk\/genderatwork\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/#\/schema\/person\/56b420afca74bb22afbc82daab088491","name":"Barbara Jane Elliott","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/sites.exeter.ac.uk\/genderatwork\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/a15fece962cbcde1d5681e421cdad244?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a15fece962cbcde1d5681e421cdad244?s=96&d=mm&r=g","caption":"Barbara Jane Elliott"},"url":"https:\/\/sites.exeter.ac.uk\/genderatwork\/author\/jbe204\/"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-json\/wp\/v2\/posts\/125"}],"collection":[{"href":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-json\/wp\/v2\/users\/473"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-json\/wp\/v2\/comments?post=125"}],"version-history":[{"count":0,"href":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-json\/wp\/v2\/posts\/125\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-json\/wp\/v2\/media?parent=125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-json\/wp\/v2\/categories?post=125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.exeter.ac.uk\/genderatwork\/wp-json\/wp\/v2\/tags?post=125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}