{"id":1461,"date":"2024-05-21T04:00:00","date_gmt":"2024-05-21T04:00:00","guid":{"rendered":"https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/?p=1461"},"modified":"2026-02-21T15:41:36","modified_gmt":"2026-02-21T15:41:36","slug":"will-of-the-month-a-suffolk-scrivener-and-his-second-best-trousers","status":"publish","type":"post","link":"https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/2024\/05\/21\/will-of-the-month-a-suffolk-scrivener-and-his-second-best-trousers\/","title":{"rendered":"Will of the Month: A Suffolk &#8216;Scrivener&#8217; and his second-best trousers"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><strong>**This will was part of the inspiration for a Chris Hoban song! Read his lyrics at the end of the post.**<\/strong><\/p>\n\n\n\n<p><em>Emily Vine<\/em><\/p>\n\n\n\n<p>In this month\u2019s post we explore the will of John Tylney, a man who had made his living from writing the wills of others. Tylney had lived and died in Bury St Edmunds, and when his will was proved in 1552, his profession was described as \u2018Scrivener\u2019: someone who wrote and copied legal documents, including last wills and testaments. Tylney\u2019s will shows all the care and consideration of a man who had spent his life drafting such documents. As we will see, alongside the dispersal of possessions including gold rings, velvet night caps, and leather jerkins, Tylney also included an unusual but fitting final bequest.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"911\" height=\"1024\" src=\"https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/IMAGE-2-Thomas-Brathwaite-will-making-911x1024.jpg\" alt=\"\" class=\"wp-image-1467\" srcset=\"https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/IMAGE-2-Thomas-Brathwaite-will-making-911x1024.jpg 911w, https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/IMAGE-2-Thomas-Brathwaite-will-making-267x300.jpg 267w, https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/IMAGE-2-Thomas-Brathwaite-will-making-768x863.jpg 768w, https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/IMAGE-2-Thomas-Brathwaite-will-making.jpg 1068w\" sizes=\"(max-width: 911px) 100vw, 911px\" \/><figcaption class=\"wp-element-caption\"><em>Unknown artist; Thomas Braithwaite of Ambleside Making His Will, Abbot Hall, 1607; Lakeland Arts Trust; http:\/\/www.artuk.org\/artworks\/thomas-braithwaite-of-ambleside-making-his-will-145558 <\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>Scriveners in Early Modern England<\/strong><\/p>\n\n\n\n<p>Keith Wrightson\u2019s study of the Newcastle scrivener Ralph Tailor suggests that scriveners were increasingly necessary from the mid sixteenth century, with the expansion of the commercial economy, and the need for trades and transactions to be underpinned by formally written documents. Craftsmen and tradesmen may not have had the literacy, legal knowledge, or time to draft such documents, and would accordingly employ the services of a scrivener.<a href=\"#_ftn1\" id=\"_ftnref1\">[1]<\/a><\/p>\n\n\n\n<p>People like John Tylney would therefore have been much in demand in regional centres such as Bury St Edmunds. Indeed, his own methodical will shows a deep familiarity with the genre and reflects a desire to do everything by the book: to account for all his worldly possessions, and to leave no legal ambiguities.<a href=\"#_ftn2\" id=\"_ftnref2\">[2]<\/a> The will accordingly begins with Tylney confirming that he was \u2018Renownsinge and Revoking all other willes and testaments heretofore made by me eyther by wryting or nuncupative\u2019. This signals Tylney\u2019s confirmation that this document was to be taken as his final will, and also acknowledges different forms of written and nuncupative (oral) wills. Nuncupative wills were formally recognised, but often made by those who were mortally wounded or likely to die quickly or unexpectedly, and who needed to hastily make their final wishes known.<\/p>\n\n\n\n<p><strong>Tylney\u2019s will<\/strong><\/p>\n\n\n\n<p>Tylney ostensibly had a longer period of time to set his affairs in order: the will was proved after his death at the beginning of October 1552, but it had been written two months earlier on the 10<sup>th<\/sup> of August. As was very common at the time he appointed his wife \u2018Cicelye\u2019 as his sole executrix, which made her responsible for settling his debts and fulfilling the contents of the will. He also appointed John Howe as supervisor, he was tasked with assisting Cicely in implementing the terms of the will, and was given three pounds \u2018for his paynes\u2019.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"272\" src=\"https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/SFK_SED_MA_1992_9_296-001-1024x272.jpg\" alt=\"\" class=\"wp-image-1469\" srcset=\"https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/SFK_SED_MA_1992_9_296-001-1024x272.jpg 1024w, https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/SFK_SED_MA_1992_9_296-001-300x80.jpg 300w, https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/SFK_SED_MA_1992_9_296-001-768x204.jpg 768w, https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/SFK_SED_MA_1992_9_296-001.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Anglo\/Flemish School; East Prospect of Bury St Edmunds, Suffolk c.1690; St Edmundsbury Museums; http:\/\/www.artuk.org\/artworks\/east-prospect-of-bury-st-edmunds-suffolk-10538<\/em><\/figcaption><\/figure>\n\n\n\n<p>Many of the bequests made in the main body of the will follow a fairly standard pattern and are reflective both of Tylney\u2019s profession and local standing. On the day of his burial, he asked that six pounds be distributed \u2018amonge the poore people in Bury aforesaide\u2019. The provision of funeral doles &#8211; the dispersal of money to the poor of the parish or town &#8211; continued to be popular after the Reformation, even as some stricter Protestants expressed concern about the link between this form of charitable giving and prayers for the deceased. As David Cressy has suggested, the local poor \u2018defined themselves by their willingness to accept\u2019 these charitable provisions, which could include the dispersal of food as well as money.<a id=\"_ftnref3\" href=\"#_ftn3\">[3]<\/a> So too could testators define themselves as being of certain status in their provision of these doles. This charitable bequest solidifies Tylney\u2019s place amongst the established middling or professional class, indicating a scrivener\u2019s relative standing within Bury St Edmunds.<\/p>\n\n\n\n<p><strong>Material Culture<\/strong><\/p>\n\n\n\n<p>Many of the material possessions listed in Tylney\u2019s will were items of clothing and jewellery. He left to his brother, Nicholas Tylney, \u2018my gown furred with black lambe\u2019, my \u2018doublet of lether\u2019, and \u2018my seconde payre of hoses\u2019. Black lambs\u2019 fur was a cheaper alternative to the use of ermine tails or sable as a fur trimming to clothing, and was often used by those who aspired to more fashionable or expensive styles. It also appears in the wills of other upper or established middling East Anglian men, including a Norwich Alderman who died thirty years before Tylney, who also bequeathed gowns trimmed with mink and black lamb.<a href=\"#_ftn4\" id=\"_ftnref4\">[4]<\/a> The description of this item perhaps indicates that Tylney\u2019s black lamb fur gown was prized by him; equally the description may also have been a means of ensuring that the correct item of clothing was identified amongst his possessions and given to his brother.<\/p>\n\n\n\n<p>Tylney\u2019s brother was to receive only his \u2018seconde payre of hoses\u2019, whereas John Howe, the aforementioned supervisor of the will, was to receive his \u2018best peyre of hoses\u2019, along with his \u2018best doublet\u2019, his \u2018best felt hatte\u2019, his \u2018night cappe of velvet\u2019 and his \u2018Jerkyn of Chamlet\u2019. John Howe\u2019s wife, Elizabeth, and his widowed mother, Agnes, were also left \u2018one golde ringe\u2019 each. In the absence of further detail, we can only speculate as to why Tylney\u2019s brother received only the second-best doublet and jerkin, whilst John Howe got the best, or why Howe\u2019s female relatives were left some of the most valuable items listed. It is possible that Tylney had a closer kinship connection to the Howe family than can be discerned from the will alone. In a methodical will such as Tylney\u2019s, such decisions were carefully thought out, and point to both the different values attributed to different personal possessions, the differing relationships between testator and beneficiary, and the debts owed to those who assisted in the process of executing a will.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"901\" src=\"https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/2006AC7145.jpg\" alt=\"\" class=\"wp-image-1475\" srcset=\"https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/2006AC7145.jpg 735w, https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/wp-content\/uploads\/sites\/375\/2024\/05\/2006AC7145-245x300.jpg 245w\" sizes=\"(max-width: 735px) 100vw, 735px\" \/><figcaption class=\"wp-element-caption\"><em>A slightly later pair of &#8216;boot hose&#8217;, but perhaps with some similarities to Tylney&#8217;s best and second-best &#8216;payre of hoses&#8217;. Man&#8217;s boot hose, 1640-60, English; knitted wool white and blue wool, with additional embroidery, \u00a9 Victoria and Albert Museum, <a>https:\/\/collections.vam.ac.uk\/item\/O107795\/pair-of-boot-unknown\/<\/a> <\/em><\/figcaption><\/figure>\n\n\n\n<p>The clearest example of the latter is Tylney\u2019s unusual final bequest. He left \u2018to Nicholas Legg the wryter hereof all and singular my presidentes and books\u2019. Legg was a fellow scrivener of Bury St Edmunds, and evidently he was also the man who penned Tylney\u2019s will. Tylney\u2019s bequest was presumably in recognition of the work taken to write up the document. As is common with bequests of this nature, we don\u2019t know how many books this legacy comprised, or their titles and contents, but we can presume that many of these texts were related to their shared line of work. The reference to \u2018presidentes\u2019 likely denotes legal precedents, another allusion to their trade. &nbsp;In a similar vein it was common for clergy for example to leave bequests of theological texts to other men of the church (for one example of this, see one of our earlier \u2018Will of the Month\u2019 <a href=\"https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/2024\/02\/20\/will-of-the-month-a-london-minister-and-the-great-fire-of-1666\/\">posts<\/a>). John Craig has noted that bequests of books and papers between fellow scriveners exemplified the close associations and local networks within this profession. Indeed, Nicholas Legg\u2019s own daughter, Margaret Spitlehouse, would go on to work as a scrivener of Bury St Edmunds in her own right \u2013 one of few female scriveners working at this time.<a href=\"#_ftn5\" id=\"_ftnref5\">[5]<\/a><\/p>\n\n\n\n<p>John Tylney\u2019s will therefore exemplifies the life of a man who had valued professional associates, who was deeply integrated within the life of his local town of Bury St Edmunds, and whose work as a scrivener led him to be deeply methodical in the dispersal of his own worldly goods. It is also poignant to think about the mutual professional respect between John Tylney and his fellow scriveners like Nicholas Legg: men (and women) who ostensibly spent their days writing the wills of others, and who were occasionally called to perform that same final obligation for one of their own.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><a href=\"#_ftnref1\" id=\"_ftn1\"><sup>[1]<\/sup><\/a> Keith Wrightson, <em>Ralph Tailor&#8217;s Summer: A Scrivener, His City and the Plague,<\/em> (Yale University Press, 2011), pp.66-67.<\/p>\n\n\n\n<p><a href=\"#_ftnref2\" id=\"_ftn2\"><sup>[2]<\/sup><\/a><sup> <\/sup>PROB 11\/35\/311 3, Will of John Tylney, Scrivener of Bury Saint Edmunds, Suffolk, 3 October 1552.<\/p>\n\n\n\n<p><a href=\"#_ftnref3\" id=\"_ftn3\"><sup>[3]<\/sup><\/a><sup> <\/sup>David Cressy, <em>Birth, Marriage, And Death: Ritual, Religion, and the Life-Cycle in Tudor and Stuart England,<\/em> (Oxford University Press, 1997), p.444.<\/p>\n\n\n\n<p><a href=\"#_ftnref4\" id=\"_ftn4\">[4]<\/a> &nbsp;Elspeth M. Veale, &#8216;VII. Fashions in Fur&#8217;, in&nbsp;<em>The English Fur Trade in the Later Middle Ages<\/em>, (London, 2003) pp. 133-155.&nbsp;<em>British History Online<\/em>&nbsp;https:\/\/www.british-history.ac.uk\/london-record-soc\/vol38\/pp133-155 [accessed 16 May 2024].<\/p>\n\n\n\n<p><a href=\"#_ftnref5\" id=\"_ftn5\">[5]<\/a> &nbsp;John Craig, \u2018Notes and Queries: Margaret Spitlehouse, Female Scrivener\u2019,&nbsp;<em>Local Population Studies<\/em> 46 (1991) p.56 <a href=\"http:\/\/www.localpopulationstudies.org.uk\/PDF\/LPS46\/LPS46_1991_54-57.pdf\">http:\/\/www.localpopulationstudies.org.uk\/PDF\/LPS46\/LPS46_1991_54-57.pdf<\/a><\/p>\n\n\n<div ><style>#sp-ea-1479 .spcollapsing { height: 0; overflow: hidden; transition-property: height;transition-duration: 300ms;}#sp-ea-1479.sp-easy-accordion>.sp-ea-single {margin-bottom: 10px; border: 1px solid #e2e2e2; }#sp-ea-1479.sp-easy-accordion>.sp-ea-single>.ea-header a {color: #444;}#sp-ea-1479.sp-easy-accordion>.sp-ea-single>.sp-collapse>.ea-body {background: #fff; color: #444;}#sp-ea-1479.sp-easy-accordion>.sp-ea-single {background: #eee;}#sp-ea-1479.sp-easy-accordion>.sp-ea-single>.ea-header a .ea-expand-icon { float: left; color: #444;font-size: 16px;}<\/style><div id=\"sp_easy_accordion-1716213270\"><div id=\"sp-ea-1479\" class=\"sp-ea-one sp-easy-accordion\" data-ea-active=\"ea-click\" data-ea-mode=\"vertical\" data-preloader=\"\" data-scroll-active-item=\"\" data-offset-to-scroll=\"0\"><div class=\"ea-card sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" id=\"ea-header-14790\" role=\"button\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse14790\" aria-controls=\"collapse14790\" href=\"#\" aria-expanded=\"false\" tabindex=\"0\"><i aria-hidden=\"true\" role=\"presentation\" class=\"ea-expand-icon eap-icon-ea-expand-plus\"><\/i> Full transcription of the Will of John Tylney, PROB 11\/35\/311<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse14790\" data-parent=\"#sp-ea-1479\" role=\"region\" aria-labelledby=\"ea-header-14790\"> <div class=\"ea-body\"><p><strong>Will of John Tylney, Scrivener of Bury Saint Edmunds, Suffolk, 3 October 1552, PROB 11\/35\/311<\/strong><\/p><p>In the name of God Amen The tenthe daye of August in<\/p><p>the yere of our Lorde god a Thousande five hundreth fiftie and two And in<\/p><p>the Sixte yere of the Reigne of our moste noble and deare Soveraigne Lorde<\/p><p>Edwarde the Sixte by the grace of god of Englande fraunce and Irelande Kinge<\/p><p>defender of the Faythe and in earthe under christ supreme hedd of the churche of<\/p><p>Englande and Irelande. I John Tylney of Bury St Edmund in the Countie<\/p><p>of Sufk and in the dioces of Norwiche Scryvener being of good mynde and pfytt<\/p><p>Remembrance at Bury foresaide the daye and yere above written make &amp; ordeyn<\/p><p>this my present testament and laste will. Renownsinge and Revoking all other<\/p><p>willes and testamentes heretofore made by me eyther by wryting or nuncupative<\/p><p>willing that no persone or persones shall take any maner advantage or profytt<\/p><p>by reason of them or any of them but this firmely to stande as my present testament<\/p><p>and last will ffirst I comende my soule to Almyghtie god my Creator Redemer<\/p><p>and Saviour and my bodye to the earthe where yt shall please god to calle me<\/p><p>unto his mercie. Item I will have distributed and dealte at the daye of my<\/p><p>buryall amonge the poore people in Bury aforesaide Sixe poundes. Item I give<\/p><p>and bequeathe to Cicelye my wife my mesuage whiche I dwell in with the<\/p><p>Country thereunto adjoyning holly as I purchased yt set and lying in the churche<\/p><p>gate streate in the parishe of Seynt Mary in Bury foresaide, and my house<\/p><p>garden sett and lying in the west gate streate of the saide towne To have and<\/p><p>to holde all the saide mesuage Tennentry howses and garden to the saide Cicelye<\/p><p>her heyres and assignes forever Executed and Resigned to Nicholas Tylney my<\/p><p>Brother the said Tenentry to my saide Mesuage adjoynyng in the churche gate<\/p><p>strete with all comodities and easements as he hath and occupieth yt at this presente<\/p><p>daye among his lyfe natural And after his decease I will the said tenentry<\/p><p>holy remayne unto the said Cicely my wief withoute any disturbannce. Item I<\/p><p>give and bequeathe to the saide Nicholas Tylney my brother Twelve poundes<\/p><p>of lawfull money of England to be payde to hym his Executours or Assignes<\/p><p>by myn Executrix here under named her Exectors Administrators or assignes<\/p><p>in forme following. That is to saye wi<sup>t<\/sup>in the space and terme and space of one moneth next<\/p><p>after my decease fourtie shillinges, And wi<sup>t<\/sup>in the terme and space of one half<\/p><p>yere then next and ymediately entrynge other fourtie shillinges and so furnishe<\/p><p>every half yere and ymediately following another fourtie shillines untill the<\/p><p>said somme of Twelve poundes be fully contented and paide, Item I give &amp; bequeathe<\/p><p>to the saide Nicholas my gowne furred with black lambe my doublet of lether my white peticot my Jerkin of Lether<\/p><p>My Buffet As to my seconde payre of hoses and my buttened cappe \/ Item I<\/p><p>&nbsp;<\/p><p>[New page]<\/p><p>&nbsp;<\/p><p>gyve and bequeathe every one of the Children of John Howe of Stowemarket<\/p><p>Clothier being alive at this presente daye twentye shillinges, Item I give &amp; bequeathe<\/p><p>to Richarde Grene Shrinte with the saide John Howe three poundes of lawfull<\/p><p>money of Englande to be paide to the saide Richarde by my saide Executrixes<\/p><p>her Executors Administrators or assignes when he shall atteyne and come to the<\/p><p>Age of xxi yeres And yf it fortune the saide Richarde to decease at any tyme<\/p><p>within the said terme of xxi yeres then I will the saide three poundes remayne<\/p><p>to Cicely my wief, Item I give and bequeathe to Alice Grene sister to the said<\/p><p>Richarde twentie shillinges to be payde to her at the discrecion of my said Executrix<\/p><p>Item I give and bequeathe to the said John Howe my best doublet my Jerkyn<\/p><p>of Chamlet my best peyre of hoses. My best felt hatt my Redd peticote and<\/p><p>my night capp of velvet Item I give and bequeathe to Elizabeth wief of<\/p><p>the saide John Howe one golde Ringe, And to Agnes Howe wydowe mother of<\/p><p>the saide John one golde Ringe, And I give and bequeath to every one of my<\/p><p>godchildren being alyve at my decease xijd, Item I give and bequeathe to<\/p><p>Nicholas Legg the wryter hereof all and singular my presidentes and bookes<\/p><p>The residue of all my goodes and Cattalls Implementes Jewelles and Stuff<\/p><p>of howshold moveable and unmoveable of what name or nature soever they be<\/p><p>with all my debtes to me due or hereafter to be due I give and bequeathe to the<\/p><p>said Cicely my wief whiche saide Cicely of this my present testament and Last<\/p><p>will. I constitute ordeyne and make my sole and only Executrix, she to<\/p><p>paye my debtes performe and fulfill this my present testament and last will<\/p><p>and bring me honestly to the perthe, And I constitute and ordeyne of this<\/p><p>my present testament and laste will the saide John Howe Supervisor giving<\/p><p>to hym for his paynes taking and ayd to my said Executrix three poundes<\/p><p>In witness hereof I the saide John Tylney to this my present testament and last<\/p><p>will I have put my seale the daye and yere first above wryten. Thes witness<\/p><p>Thomas Gyppes Thomas Cage clothier John Bright Maulster and Nicholas<\/p><p>Legg per me Johan Tyleney by me Thomas gyppes Testente Nichol Legg.<\/p><\/div><\/div><\/div><div class=\"ea-card sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" id=\"ea-header-14791\" role=\"button\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse14791\" aria-controls=\"collapse14791\" href=\"#\" aria-expanded=\"false\" tabindex=\"0\"><i aria-hidden=\"true\" role=\"presentation\" class=\"ea-expand-icon eap-icon-ea-expand-plus\"><\/i> Lyrics to &#8216;Scriverner&#8217;s Blues&#8217;, a song by Chris Hoban partly inspired by John Tylney&#8217;s will. <\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse14791\" data-parent=\"#sp-ea-1479\" role=\"region\" aria-labelledby=\"ea-header-14791\"> <div class=\"ea-body\"><p>And so <em>imprimis<br \/><\/em>\u00a0 In the name of God Amen<br \/>Then <em>the preamble<br \/><\/em>\u00a0 I\u2019ll just get another pen<br \/>And then the <em>main bequests<br \/><\/em>\u00a0 But our time is running out<br \/>He is on the point of death<br \/>And there are people all about<\/p><p>His elder brother<br \/>He\u2019s the one with all the wealth<br \/>And then his servant<br \/>He\u2019s not feeling great himself<br \/>And then his lawyer<br \/>Who has an overweening pride<br \/>With more caveats than anyone<br \/>Could ever hide inside<\/p><p>Everyone repeats each word he says<br \/>His breath is shallow, his thoughts are vague<br \/>Oh, who would be a scrivener<br \/>In the time of plague?<\/p><p><em>So at the first stroke<br \/><\/em>\u00a0 I\u2019ve another will to write<br \/><em>And at the second stroke<br \/><\/em>\u00a0 Oh, we could be here all night<br \/><em>And at the third stroke<br \/><\/em><em>\u00a0 If none of this should come to pass<br \/><\/em><em>I will leave it to the brother<br \/><\/em><em>\u00a0 Of the one before the last<\/em><\/p><p>Outside the window<br \/>I barely hear what he has said<br \/>With every echo<br \/>For all I know, he could be dead<br \/>And then the lawyer<br \/>Tries to justify his fees<br \/>By hitting me with paragraphs<br \/>Of turgid legalese<\/p><p>While annotating<br \/>Every change of mind he makes<br \/>His voice is fading<br \/>With the length of time it takes<br \/>To set his thoughts down<br \/>But before the ink has dried<br \/>Someone shouts along the alley<br \/>That his next of kin has died<\/p><p>The air is thick, and I can hardly think<br \/>In the confusion his father walks in<br \/>I say \u2018We\u2019re nearly finished\u2019<br \/>Then he says \u2018Let us begin\u2019<\/p><p>And so <em>imprimis<br \/><\/em>\u00a0 In the name of God Amen<br \/>Then <em>the preamble<br \/><\/em>\u00a0 Must I write it out again?<br \/>And then the <em>main bequests<br \/><\/em>\u00a0 But he is looking so perplexed<br \/>With everyone around him thinking<br \/>&#8230;\u201cI could be next\u201d<\/p><p><em>So at the first stroke<br \/><\/em>\u00a0 I\u2019ve another will to write<br \/><em>And at the second stroke<br \/><\/em>\u00a0 Oh, we could be here all night<br \/><em>And at the third stroke<br \/><\/em><em>\u00a0 If none of this should come to pass<br \/><\/em><em>I will leave it to the brother<br \/><\/em><em>\u00a0 Of the one before the last<br \/><\/em><em>\u00a0\u00a0 \u2026Or the sister of the one before the last<br \/><\/em><em>\u00a0 \u2026Just remind me, who\u2019s THE ONE BEFORE THE LAST?<\/em><\/p><p>Postscript: the original idea for this song came from Keith Wrightson&#8217;s book, <em>Ralph Tailor&#8217;s Summer: A Scrivener, His City and the Plague<\/em> (Yale University Press, 2011), which focuses on the activities of a scribe in Newcastle-Upon-Tyne in 1636, a plague year. Chris writes: &#8216;the idea also came from Emily&#8217;s blog post &#8211; not so much in its detail but in imagining, through the post and some of the intricate details of his belongings and surroundings, what a scrivener&#8217;s life might have been like (something we really don&#8217;t know much about with regards to Ralph)&#8217;.<\/p><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>**This will was part of the inspiration for a Chris Hoban song! Read his lyrics at the end of the post.** Emily Vine In this month\u2019s post we explore the will of John Tylney, a man who had made his living from writing the wills of others. Tylney had lived and died in Bury St [&hellip;]<\/p>\n","protected":false},"author":1453,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,33],"tags":[43,61,53,103,57,75,79,65,95],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Will of the Month: A Suffolk &#039;Scrivener&#039; and his second-best trousers - The Material Culture of Wills, England 1540-1790<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.exeter.ac.uk\/materialcultureofwills\/2024\/05\/21\/will-of-the-month-a-suffolk-scrivener-and-his-second-best-trousers\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Will of the Month: A Suffolk &#039;Scrivener&#039; and his second-best trousers - The Material Culture of Wills, England 1540-1790\" \/>\n<meta property=\"og:description\" content=\"**This will was part of the inspiration for a Chris Hoban song! 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