{"id":23,"date":"2018-03-27T16:39:09","date_gmt":"2018-03-27T15:39:09","guid":{"rendered":"http:\/\/blogs.exeter.ac.uk\/translatingwomen\/?page_id=23"},"modified":"2025-02-18T18:14:39","modified_gmt":"2025-02-18T18:14:39","slug":"reviews","status":"publish","type":"page","link":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"

*UPDATE APRIL 2022* Please note that I no longer do sponsored reviews<\/a>. I am, however, always happy to hear about new books by women in translation, so please do continue to keep me informed about new and forthcoming titles. Thank you for your interest in Translating Women!<\/h3>\n

Click on the links below to access the reviews archive.<\/p>\n

Love Novel<\/em>, Ivana Sajko, tr. Mima Simi\u0107 (V&Q Books, 2022)<\/a>
\n\"\"<\/p>\n

Concerning My Daughter<\/em>, Kim Hye-jin, tr. Jamie Chang (Picador Books, 2022)<\/a>
\n\"\"<\/p>\n

Father may be an elephant, and mother only a small basket, but…<\/em><\/a>, Gogu Shyamala, tr. Diia Rajan, Sashi Kumar, A. Suneetha, N. Manohar Reddy, R. Srivatsan, Gita Ramaswamy, Uma Bhrugubanda, P. Pavana, and Dugginala Vasanta (Tilted Axis Press, 2022)
\n\"\"<\/p>\n

It’s over. Don’t go there<\/em>.<\/a>, Kathrin Schmidt, tr. Sue Vickerman (Naked Eye Publishing, 2021)
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What will it take for me to leave<\/em><\/a>, Loranne Vella, tr. Kat Storace (Praspar Press, 2021)
\n\"\"<\/p>\n

Brickmakers<\/a><\/em>, Selva Almada, tr. Annie McDermott (Charco Press, 2021)
\n\"\"<\/p>\n

No Touching<\/em><\/a>, Ketty Rouf, tr. Tina Kover (Europa Editions, 2021)
\n\"\"<\/p>\n

The Bureau of Past Management<\/a><\/em>, Iris Hanika, tr. Abigail Wender AND\u00a0Madgermanes<\/em><\/a>, Birgit Weyhe, tr. Katy Derbyshire (V&Q Books, 2021)
\n\"\"<\/p>\n

The Dolls<\/em>, Ursula Scavenius, tr. Jennifer Russell (Lolli Editions, 2021)<\/a>
\n\"\"<\/p>\n

The Antarctica of Love<\/em><\/a>, Sara Stridsberg, tr. Deborah Bragan-Turner (MacLehose Press, 2021)
\n\"\"<\/p>\n

No. 91\/92: notes on a Parisian<\/em> commute,\u00a0<\/em>Lauren Elkin (Les Fugitives, 2021)<\/a>
\n\"\"<\/p>\n

Women in Translation month round-up 2021<\/a>:\u00a0The Frightened Ones <\/em>(Dima Wannous, tr. Elisabeth Jaquette, Harvill Secker 2020),\u00a0Suiza\u00a0<\/em>(B\u00e9n\u00e9dicte Belpois, tr. Alison Anderson, Europa Editions 2021),\u00a0The Pear Field\u00a0<\/em>(Nana Ekvtimishvili, tr. Elizabeth Heighway, Peirene Press 2020)
\n\"\"<\/p>\n

Elena Knows<\/em><\/a>, Claudia Pi\u00f1eiro, tr. Frances Riddle (Charco Press, 2021)
\n\"\"<\/p>\n

The Fool and Other Moral Tales<\/em><\/a>, Anne Serre, tr. Mark Hutchinson (Les Fugitives, 2021)
\n\"\"<\/p>\n

Acrobat<\/a><\/em>, Nabaneeta Dev Sen, tr. Nandana Dev Sen (Archipelago Books, 2021)
\n\"\"<\/p>\n

The Son of the House<\/em><\/a>, Cheluchi Onyemelukwe-Onuobia (Europa Editions, 2021)
\n\"\"<\/p>\n

Heaven<\/em><\/a>, Mieko Kawakami, tr. Sam Bett and David Boyd (Picador Books, 2021)
\n\"\"<\/p>\n

Shocked Earth<\/em><\/a>, Saskia Goldschmidt, tr. Antoinette Fawcett (Saraband Books, 2021)
\n\"\"<\/p>\n

You’re Not Dying<\/a><\/em>, Kathrin Schmidt, tr. Christina Les (Naked Eye Publishing, 2021)
\n\"\"<\/p>\n

My Brilliant Friend<\/a><\/em>, Elena Ferrante, tr. Ann Goldstein (Europa Editions, 2012) AND\u00a0Panenka<\/em><\/a>, R\u00f3n\u00e1n Hession (Bluemoose Books 2021)
\n\"\"<\/p>\n

Nervous System<\/em><\/a>, Lina Meruane, tr. Megan McDowell (Atlantic Books, 2021)
\n\"\"<\/p>\n

Poetics of Work<\/em>, No\u00e9mi Lefebvre, tr. Sophie Lewis (Les Fugitives, 2021)<\/a>
\n\"\"<\/p>\n

Simple Passion<\/em><\/a>, Annie Ernaux, tr. Tanya Leslie (Fitzcarraldo Editions, 2021)
\n\"\"<\/p>\n

The Peacock<\/em>, Isabel Bogdan, tr. Annie Rutherford (V&Q Books, 2021)<\/a>
\n\"\"<\/p>\n

Night as it falls<\/em><\/a>, Jakuta Alikavazovic, tr. Jeffrey Zuckerman (Faber & Faber, 2021)
\n\"\"<\/p>\n

Self-Portrait in Green<\/a><\/em>, Marie NDiaye, tr. Jordan Stump (Influx Press, 2021)
\n\"\"<\/p>\n

Havana Year Zero<\/a><\/em>, Karla Su\u00e1rez, tr. Christina MacSweeney (Charco Press, 2021)
\n\"\"<\/p>\n

A Beast in Paradise<\/em>, C\u00e9cile Coulon, tr. Tina Kover (Europa Editions, 2021)<\/a>
\n\"\"<\/p>\n

The Art of Losing<\/em>, Alice Zeniter, tr. Frank Wynne (Picador Books, 2021)<\/a>
\n\"\"<\/p>\n

Cockfight<\/em>, Mar\u00eda Fernanda Ampuero, tr. Frances Riddle (Influx Press, 2021)<\/a>
\n\"\"<\/p>\n

The Book of Jakarta<\/em>, ed. Maesy Ang and Teddy W. Kusuma (Comma Press, 2020)<\/a>
\n\"\"<\/p>\n

Esther Kinsky,\u00a0Grove<\/em>, tr. Caroline Schmidt (Fitzcarraldo Editions, 2020) and Jean Fr\u00e9mon,\u00a0Nativity<\/em>, tr. Cole Swensen (Les Fugitives, 2020)<\/a>
\n\"\"<\/p>\n

Claudia Hern\u00e1ndez,\u00a0Slash and Burn<\/em>,<\/span> tr. Julia Sanches (And Other Stories, 2021) and Juan Pablo Villalobos,\u00a0I Don’t Expect Anyone to Believe Me<\/em>, tr. Daniel Hahn (And Other Stories, 2020)<\/a>
\n\"\"<\/p>\n

Nino Haratischvili,\u00a0The Eighth Life<\/em>, tr. Charlotte Collins and Ruth Martin (Scribe Books, 2019)<\/a>
\n\"\"<\/p>\n

Andrea Jeftanovic,\u00a0Theatre of War<\/em>, tr. Frances Riddle (Charco Press, 2020)<\/a>
\n\"\"<\/p>\n

Annie Ernaux,\u00a0A Man’s Place<\/em>, tr. Tanya Leslie (Fitzcarraldo Editions, 2020)<\/a>
\n\"\"<\/p>\n

Review: Translators Aloud YouTube Channel<\/a>
\n\"\"<\/p>\n

Nadia Terranova,\u00a0Farewell, Ghosts<\/em>, tr. Ann Goldstein (Seven Stories Press, 2020)<\/a>
\n\"\"<\/p>\n

Lucy Fricke,\u00a0Daughters<\/em>, tr. Sin\u00e9ad Crowe (V&Q Books, 2020)<\/a>
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Sandra Hoffmann,\u00a0Paula<\/em>, tr. Katy Derbyshire (V&Q Books, 2020)<\/a>
\n\"\"<\/p>\n

Elena Ferrante,\u00a0The Lying Life of Adults<\/em>, tr. Ann Goldstein (Europa Editions, 2020)<\/a>
\n\"\"<\/p>\n

Selva Almada,\u00a0Dead Girls<\/em>, tr. Annie McDermott (Charco Press, 2020)<\/a>
\n\"\"<\/p>\n

Mieko Kawakami,\u00a0Breasts and Eggs<\/em>, tr. Sam Bett and David Boyd (Picador Books, 2020)<\/a>
\n\"\"<\/p>\n

Guadalupe Nettel,\u00a0Bezoar and Other Unsettling Stories<\/em>, tr. Suzanne Jill Levine (Seven Stories Press, 2020)<\/a>
\n\"\"<\/p>\n

Petra H\u016flov\u00e1, Three Plastic Rooms<\/em>, tr. Alex Zucker (Jantar Publishing, 2017)<\/a>
\n\"\"<\/p>\n

Maria-Merc\u00e8 Mar\u00e7al, The Passion According to Ren\u00e9e Vivien<\/em>, tr. Kathleen McNerney and Helena Buffery (Francis Boutle Publishers, 2020)<\/a>
\n\"\"<\/p>\n

Camille Laurens,\u00a0Little Dancer Aged Fourteen<\/em>, tr. Willard Wood (Les Fugitives, 2020)<\/a>
\n\"\"<\/p>\n

The Book of Shanghai (Comma Press, 2020)<\/a>
\n\"\"<\/p>\n

Margarita Garc\u00eda Robayo,\u00a0Holiday Heart<\/em>, tr. Charlotte Coombe (Charco Press, 2020)<\/a>
\n\"\"<\/p>\n

Duanwad Pimwana, Arid Dreams, tr. Mui Poopoksakul (Tilted Axis Press, 2020)<\/a>
\n\"\"<\/p>\n

Alternative love stories from around the world<\/a>
\n\"\"<\/p>\n

Nathalie L\u00e9ger,\u00a0Exposition<\/em>, tr. Amanda DeMarco (Les Fugitives, 2019) and\u00a0The White Dress<\/em>, tr. Natasha Lehrer (Les Fugitives, 2020).<\/a>
\n\"\"<\/p>\n

Pauline Delabroy-Allard,\u00a0All About Sarah<\/em>, tr. Adriana Hunter (Harvill Secker, 2020)\u00a0<\/a>
\n\"\"<\/p>\n

Catherine Doustessyier-Khoze,\u00a0The Beauty of the Death<\/em> Cap<\/em>, tr. Tina Kover (Snuggly Books, 2018)<\/a>
\n\"\"\u00a0<\/em><\/p>\n

Donatella di Pietrantonio,\u00a0A Girl Returned<\/em>, tr. Ann Goldstein (Europa Editions, 2019)<\/a>
\n\"\"<\/p>\n

Europa28<\/em>, edited by Sophie Hughes and Sarah Cleave (Comma Press, 2020)<\/a>
\n\"\"<\/p>\n

Yolande Mukagasana,\u00a0Not My Time To Die<\/em>, tr. Zoe Norridge (Huza Press, 2019)<\/a>
\n\"\"<\/p>\n

Fernanda Melchor, Hurricane Season<\/em>, tr. Sophie Hughes (Fitzcarraldo Editions, 2020)\"\"<\/a><\/p>\n

Intan Paramaditha,\u00a0The Wanderin<\/em>g, tr. Stephen J. Epstein (Harvill Secker, 2020)<\/a>
\n\"\"<\/p>\n

Ivana Dobrakovov\u00e1, Bellevue,\u00a0<\/em>tr. Julia Sherwood and Peter Sherwood (Jantar Publishing, 2019)<\/a>
\n\"\"<\/p>\n

Brenda Lozano,\u00a0Loop<\/em>, tr. Annie McDermott (Charco Press, 2019)<\/a>
\n\"\"<\/p>\n

Ahlam Bsharat,\u00a0Trees for the Absentees<\/em>, tr. Ruth Ahmedzai Kemp and Sue Copeland (Neem Tree Press, 2019)<\/a><\/p>\n

\"\"<\/p>\n

Caryl Lewis,\u00a0The Jeweller<\/em>, tr. Gwen Davies (Honno Press, 2019)<\/a>
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Marina \u0160ur Puhlovski, Wild Woman, tr. Christina Pribichevich-Zori\u010d (Istros Books, 2019)
\n\"\"
\n<\/a><\/p>\n

Colette Fellous,\u00a0This Tilting World<\/em>, tr. Sophie Lewis (Les Fugitives, 2019)<\/a>
\n\"\"<\/p>\n

Women in Translation month 2019: 8 books reviewed
\n<\/a>\"\"<\/p>\n

Nayrouz Qarmout,\u00a0The Sea Cloak<\/em>, tr. Perween Richards (Comma Press, 2019)<\/a>
\n\"\"<\/p>\n

Olja Savi\u010devi\u0107, Singer in the Night<\/em>, tr. Celia Hawkesworth (Istros Books, 2019)<\/a>
\n\"\"<\/p>\n

Madeleine Bourdouxhe,\u00a0A Nail, A Rose<\/em>, tr. Faith Evans (Pushkin Press, 2019)<\/a>
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Selva Almada,\u00a0The Wind That Lays Waste<\/em>, tr. Chris Andrews (Charco Press, 2019)<\/a>
\n\"\"<\/p>\n

Gine Cornelia Pedersen,\u00a0Zero<\/em>, tr. Rosie Hedger (Nordisk Books, 2018) and Maria Gerhardt,\u00a0Transfer Window<\/em>, tr. Lindy Falk van Rooyen (Nordisk Books, 2019)<\/a>
\n\"\"<\/p>\n

Home is Like a Different Time<\/em>, Eva Moreda, tr. Craig Patterson (Francis Boutle Publishers, 2019)<\/a>
\n\"\"<\/p>\n

Selfies<\/em>, Sylvie Weil, tr. Ros Schwartz (Les Fugitives, 2019)<\/a>\"\"<\/p>\n

The Book of Cairo<\/em>, edited and with an introduction by Raph Cormack (Comma Press, 2019)<\/a>
\n\"\"<\/p>\n

Things That Fall from the Sky<\/em>, Selja Ahava, tr. Emily Jeremiah and Fleur Jeremiah (Oneworld Books, 2019)<\/a>
\n\"\"<\/p>\n

City of Jasmine<\/em>, Olga Grjasnowa, tr. Katy Derbyshire (Oneworld Books, 2019)
\n<\/a>\"\"<\/p>\n

Thirteen Months of Sunrise<\/em>, Rania Mamoun, tr. Elisabeth Jaquette (Comma Press, 2019)<\/a>
\n\"\"<\/p>\n

Distant Signs<\/em>, Anne Richter, tr. Douglas Irving (Neem Tree Press, 2019)<\/a>
\n\"\"<\/p>\n

The Chilli Bean Paste Clan<\/em>, Yan Ge, tr. Nicky Harman (Balestier Press, 2018)<\/a>
\n\"\"<\/p>\n

The Governesses,\u00a0<\/em>Anne Serre, tr. Mark Hutchinson (Les Fugitives, 2019)<\/a>
\n\"\"<\/p>\n

Jenny Erpenbeck,\u00a0Visitation<\/em>, tr. Susan Bernofsky (Portobello Books, 2018);\u00a0Mariana Enriquez,\u00a0Things We Lost in the Fire<\/em>, tr. Megan McDowell (Portobello Books, 2018);\u00a0Leonard and Hungry Paul<\/em>, R\u00f3n\u00e1n Hession (Bluemoose Books, 2019<\/a>)
\n\"\"<\/p>\n

Happening<\/em>, Annie Ernaux, tr. Tanya Leslie (Fitzcarraldo Editions, 2019)<\/a>
\n\"\"<\/p>\n

Mouthful of Birds<\/em>, Samanta Schweblin, tr. Megan McDowell (OneWorld Books, 2019)<\/a>
\n\"\"<\/p>\n

Tentacle<\/em>, Rita Indiana, tr. Achy Obejas (And Other Stories, 2018)<\/a>
\n\"\"<\/p>\n

Sangeeta Bandyopadhyay,\u00a0Panty\u00a0<\/em>and\u00a0Abandon<\/em>, tr. Arunava Sinha (Tilted Axis Press, 2016 and 2017)<\/a>
\n\"\"<\/p>\n

Hwang Jungeun,\u00a0I’ll Go On<\/em>, tr. Emily Yae Won (Tilted Axis Press, 2018)<\/a>
\n\"\"<\/p>\n

Carla Maliandi,\u00a0The German Room<\/em>, tr. Frances Riddle (Charco Press, 2018)<\/a>
\n\"\"#<\/p>\n

Yoko Tawada,\u00a0Memoirs of a Polar Bear<\/em>, tr. Susan Bernofsky (Portobello Books, 2017)<\/a>
\n\"\"<\/p>\n

Ninni Holmqvist,\u00a0The Unit<\/em>, tr. Marlaine Delargy (OneWorld Books, 2018 [2nd edition])<\/a>
\n\"\"<\/p>\n

Han Kang,\u00a0The White Book<\/em>, tr. Deborah Smith (Portobello Books, 2017)<\/a>
\n\"\"<\/p>\n

Jean Fr\u00e9mon,\u00a0Now, Now, Louison<\/em>, tr. Cole Swensen (Les Fugitives, 2018)<\/a>
\n\"\"<\/p>\n

Olga Tokarczuk,\u00a0Drive Your Plow Over the Bones of the Dead<\/em>, tr. Antonia Lloyd-Jones (Fitzcarraldo Editions, 2018)<\/a>
\n\"\"<\/p>\n

Holiday reads 2018: Ayelet Gundar-Goshen,\u00a0One Night, Markovitch<\/em>, tr. Sondra Silverston (Pushkin Press, 2015);\u00a0Preti Taneja,\u00a0We That Are Young <\/em>(Galley Beggar Press, 2017); Hamid Ismailov,\u00a0The Dead Lake<\/em>, tr. Andrew Bromfield (Peirene Press, 2014); Christine Schutt,\u00a0Pure Hollywood<\/em>\u00a0(And Other Stories, 2018)<\/a>
\n\"\"<\/p>\n

Margarita Garc\u00eda Robayo,\u00a0Fish Soup<\/em>, tr. Charlotte Coombe (Charco Press, 2018)<\/a>
\n\"\"<\/p>\n

Nora Ikstena,\u00a0Soviet Milk<\/em>, <\/em>tr. Margita Gailitis\u00a0(Peirene Press, 2018)
\n<\/a>\"\"<\/p>\n

Laia Jufresa,\u00a0Umami<\/em>, tr. Sophie Hughes (OneWorld Books, 2016)
\n<\/a>\"\"<\/p>\n

Annie Ernaux,\u00a0The Years<\/em>, tr. Alison L. Strayer (Fitzcarraldo Editions, 2018)
\n<\/a>\"\"<\/p>\n

Kerstin Hensel,\u00a0Dance by the Canal<\/em>, tr. Jen Calleja (Peirene Press, 2017)<\/a>
\n\"\"<\/p>\n

Samanta Schweblin,\u00a0Fever Dream<\/em>, tr. Megan McDowell (OneWorld Books, 2017)<\/a>
\n\"\"<\/p>\n

<\/div>\n

Jenny Erpenbeck, The End of Days<\/em>, tr. Susan Bernofsky (Portobello Books, 2015)<\/a>
\n\"\"<\/p>\n

<\/div>\n

Olga Tokarczuk,\u00a0Flights,\u00a0<\/em>tr. Jennifer Croft (Fitzcarraldo Editions, 2017)<\/a>
\n\"\"<\/p>\n

<\/div>\n

Ayelet Gundar-Goshen,\u00a0Waking Lions<\/em>, tr. Sonda Silverston (Pushkin Press, 2016)<\/a>
\n\"\"<\/p>\n

<\/div>\n

Elvira Dones,\u00a0Sworn Virgin<\/em>, tr. Clarissa Botsford (And Other Stories, 2015)<\/a>
\n\"\"<\/p>\n

<\/div>\n

Marie Sizun,\u00a0Her Father’s Daughter<\/em>, tr. Adriana Hunter (Peirene Press, 2016)<\/a>
\n\"\"<\/p>\n

Han Kang,\u00a0The Vegetarian<\/em>, tr. Deborah Smith (Portobello Books, 2015)<\/a><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

*UPDATE APRIL 2022* Please note that I no longer do sponsored reviews. I am, however, always happy to hear about new books by women in translation, so please do continue to keep me informed about new and forthcoming titles. Thank you for your interest in Translating Women! Click on the links below to access the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[],"acf":[],"yoast_head":"\nReviews - Translating Women<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reviews - Translating Women\" \/>\n<meta property=\"og:description\" content=\"*UPDATE APRIL 2022* Please note that I no longer do sponsored reviews. I am, however, always happy to hear about new books by women in translation, so please do continue to keep me informed about new and forthcoming titles. Thank you for your interest in Translating Women! Click on the links below to access the […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/\" \/>\n<meta property=\"og:site_name\" content=\"Translating Women\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-18T18:14:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2022\/05\/20210714_VQ_love_U1-500x735-1-204x300.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"28 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/\",\"url\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/\",\"name\":\"Reviews - Translating Women\",\"isPartOf\":{\"@id\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2022\/05\/20210714_VQ_love_U1-500x735-1-204x300.jpg\",\"datePublished\":\"2018-03-27T15:39:09+00:00\",\"dateModified\":\"2025-02-18T18:14:39+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/#primaryimage\",\"url\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2022\/05\/20210714_VQ_love_U1-500x735-1.jpg\",\"contentUrl\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2022\/05\/20210714_VQ_love_U1-500x735-1.jpg\",\"width\":500,\"height\":735},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Reviews\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/#website\",\"url\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/\",\"name\":\"Translating Women\",\"description\":\"INTERNATIONAL | INTERSECTIONAL | ACTIVIST | FEMINIST\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Reviews - Translating Women","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/","og_locale":"en_US","og_type":"article","og_title":"Reviews - Translating Women","og_description":"*UPDATE APRIL 2022* Please note that I no longer do sponsored reviews. I am, however, always happy to hear about new books by women in translation, so please do continue to keep me informed about new and forthcoming titles. Thank you for your interest in Translating Women! Click on the links below to access the […]","og_url":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/","og_site_name":"Translating Women","article_modified_time":"2025-02-18T18:14:39+00:00","og_image":[{"url":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2022\/05\/20210714_VQ_love_U1-500x735-1-204x300.jpg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"28 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/","url":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/","name":"Reviews - Translating Women","isPartOf":{"@id":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/#website"},"primaryImageOfPage":{"@id":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/#primaryimage"},"image":{"@id":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/#primaryimage"},"thumbnailUrl":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2022\/05\/20210714_VQ_love_U1-500x735-1-204x300.jpg","datePublished":"2018-03-27T15:39:09+00:00","dateModified":"2025-02-18T18:14:39+00:00","breadcrumb":{"@id":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/#primaryimage","url":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2022\/05\/20210714_VQ_love_U1-500x735-1.jpg","contentUrl":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2022\/05\/20210714_VQ_love_U1-500x735-1.jpg","width":500,"height":735},{"@type":"BreadcrumbList","@id":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/reviews\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/"},{"@type":"ListItem","position":2,"name":"Reviews"}]},{"@type":"WebSite","@id":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/#website","url":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/","name":"Translating Women","description":"INTERNATIONAL | INTERSECTIONAL | ACTIVIST | FEMINIST","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"}]}},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-json\/wp\/v2\/pages\/23"}],"collection":[{"href":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":2,"href":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":2459,"href":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-json\/wp\/v2\/pages\/23\/revisions\/2459"}],"wp:attachment":[{"href":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-json\/wp\/v2\/media?parent=23"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-json\/wp\/v2\/categories?post=23"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-json\/wp\/v2\/tags?post=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}