{"id":1617,"date":"2020-09-08T12:00:32","date_gmt":"2020-09-08T11:00:32","guid":{"rendered":"http:\/\/blogs.exeter.ac.uk\/translatingwomen\/?p=1617"},"modified":"2020-09-08T12:00:32","modified_gmt":"2020-09-08T11:00:32","slug":"review-the-lying-life-of-adults-elena-ferrante","status":"publish","type":"post","link":"https:\/\/sites.exeter.ac.uk\/translatingwomen\/2020\/09\/08\/review-the-lying-life-of-adults-elena-ferrante\/","title":{"rendered":"Review: THE LYING LIFE OF ADULTS, Elena Ferrante"},"content":{"rendered":"<h2>Translated from Italian by Ann Goldstein (Europa Editions, 2020)<\/h2>\n<p>I\u2019m going to start this review with a confession: until last month, I had never read anything by Elena Ferrante.<\/p>\n<p>Okay, I\u2019ve got that off my chest.<\/p>\n<p><em>The Lying Life of Adults <\/em>is a stand-alone book that has yet to receive the attention and hype of the Neapolitan Quartet: I approached it as a blank slate, hoping for an engaging and engrossing story that would sweep me away into its universe. And, for the most part, that\u2019s exactly what I got.<\/p>\n<p><em>The Lying Life of Adults <\/em>is narrated by Giovanna who, at the time the narrative is set, is a thirteen-year-old girl from an affluent family, living in a beautiful home high above Naples. Her parents are successful yet modest, and their house filled with love. Yet this idyllic appearance masks hidden truths that Giovanna unravels slowly after overhearing a chance conversation between her parents that sets her on a path down to the depths of the poorest areas of Naples, where she meets her estranged aunt Vittoria and is drawn into Vittoria\u2019s brash, chaotic and passionate life.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1620\" src=\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2020\/09\/cover_9781609455910__id1770_w240_t1581439723__1x.jpg\" alt=\"\" width=\"240\" height=\"348\" srcset=\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2020\/09\/cover_9781609455910__id1770_w240_t1581439723__1x.jpg 240w, https:\/\/sites.exeter.ac.uk\/translatingwomen\/wp-content\/uploads\/sites\/601\/2020\/09\/cover_9781609455910__id1770_w240_t1581439723__1x-207x300.jpg 207w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/p>\n<p>Giovanna\u2019s father, Andrea, distanced himself from a family that he has always depicted as an emotional succubus, determined to control him and hold him back. When Giovanna, on the cusp of an uncomfortable transition into adolescence, overhears him telling her mother that Giovanna is getting \u201cthe face of Vittoria\u201d, she becomes obsessed with her appearance, brooding over a genetically unavoidable meanness of spirit that she feels certain is becoming etched on her face so that she will resemble the caricature of the aunt she has never met. Vittoria is presented as a shadowy and malevolent figure who presides over all Giovanna\u2019s childhood fears, and Giovanna\u2019s decision to confront Vittoria does nothing to free her from this reign of terror: instead she is drawn into another version of events, one in which her father is not the honest, kind, upstanding man that she has always believed him to be. Giovanna\u2019s decision is the catalyst for an irrevocable shift in the lives of the whole family: caught between two versions of truth, two versions of Naples, and two versions of herself, Giovanna\u2019s comfortable world will be rocked to its core and life changed forever.<\/p>\n<p>I\u2019ve come to realise that Goldstein favours a translation that lets the original language show through: I confess that syntactical or lexical calques can jolt me out of the storytelling universe, but given how accomplished the rest of the translation is, I can only assume that these are deliberate choices. Conversely, I greatly appreciated Goldstein\u2019s approach to dealing with places and dialect: I much prefer for street names and, for example, the names of dishes or delicacies, to remain in the original language, and this is the method that Goldstein favours. As for the instances of dialect, I don\u2019t know whether or not they appear in Neapolitan dialect in the original text, but Goldstein deals with conversations in dialect very sensitively, avoiding any kind of adaptation and instead dealing with them in a more subtle way (I can\u2019t give examples as I was reading an uncorrected proof, so you\u2019ll just have to either trust me or read it for yourself and see if you agree!)<\/p>\n<p>In short, <em>The Lying Life of Adults <\/em>offers a maelstrom of affairs, unrequited love, beauty, death, promises broken and appearances shattered \u2013 and, to top it all off, a bracelet that could be either a lucky charm or a curse. It is, purely and simply, a \u201cgood read\u201d \u2013 fun, engaging, but also with some serious edges and reflections on adolescence, relationships, loss of innocence and the shifting notions of \u201ctruth\u201d and \u201cmemory\u201d, highlighting how these are always subjective and never the same for two people. It\u2019s sure to be a great success, and deservedly so.<\/p>\n<h6>Review copy of <em>The Lying Life of Adults <\/em>provided by Europa Editions<\/h6>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Translated from Italian by Ann Goldstein (Europa Editions, 2020) I\u2019m going to start this review with a confession: until last month, I had never read anything by Elena Ferrante. Okay, I\u2019ve got that off my chest. The Lying Life of Adults is a stand-alone book that has yet to receive the attention and hype of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17],"tags":[85,299,319,465,947],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Review: THE LYING LIFE OF ADULTS, Elena Ferrante - Translating Women<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.exeter.ac.uk\/translatingwomen\/2020\/09\/08\/review-the-lying-life-of-adults-elena-ferrante\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: THE LYING LIFE OF ADULTS, Elena Ferrante - Translating Women\" \/>\n<meta property=\"og:description\" content=\"Translated from Italian by Ann Goldstein (Europa Editions, 2020) I\u2019m going to start this review with a confession: until last month, I had never read anything by Elena Ferrante. 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